We were combing through all the internet blueprints, KubrickвЂ™s blueprints. We couldnвЂ™t figure out if it was in the front or back of the building. We ended up rebuilding the same one because it was the only one I could wrap my head around. ItвЂ™s this other entrance off to the side. The doorways you see people entering and exiting the Overlook through, itвЂ™s not the lobby doors. One we could never figure out is where the hell the lobby doors were in relation to the outside. Whether there was meaning behind that or whether he just assumed the interior of the hotel doesnвЂ™t make sense. I still, for the life of me, I cannot explain to you why he put the bathroom window where he put it, which - I know because we built that set - opens into the hallway of the Overlook Hotel. And you know so much has been made about that number speaking about conspiracy theories. Guess the movie name Tshirt + Ring + Bulb + Scissor + Ball. If you know, you can share the answer and this puzzle will be dedicated to you.

I was fascinated, too, looking at the plans for Room 237. We dont have answer of the following puzzle at this moment, please check after some time. There were these strange hiccups that would happen in his designs that were basically him taking what was there and just absorbing it. It was a physical feature that was there and he just absorbed it into his design. What I learned in that particular case is that he was using every available square foot of the stages in London where he was building these. We would say, вЂњWhy did he add steps there? Why did he have you have to step up into the room?вЂќ And we would explore all these different meanings for why he would actively make a set, he had complete control over, harder for himself by doing that. We would talk a lot about some of the physical characteristics of sets weвЂ™d build within the Overlook, and we would look at things like, well, there are steps here as you come up into the residence for example.

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